This application number is provided after completing the online application in Step 1. Please note: You must have your application number in order to successfully begin this step. Step 2: Uploading your Audition Submission & Supplemental Material. Step 1: Submitting your Online Application (starting January 15th).Īfter you submit your application successfully, you will be sent an email link to the website SLATE where you can upload your audition material and pay the $55 application fee. NOTE: Auditors may apply to workshops up until the day before the workshop begins. When applicants participate in multiple workshops they are eligible for the following discounts:Īttend Three or Four Workshops: 10% discount Participant spots are limited, but if you are not accepted as a participant you will be offered a spot as an auditor. As an Auditor, you may attend all the workshop activities and critiques, but your work will not be critiqued.As a Participant, you have an active role in workshop activities your work will be critiqued by guest star faculty.When you apply, you must apply as an Auditor OR as a Participant: After reviewing your materials, we may recommend alternate or additional workshops we believe would benefit you as a composer. Applicants will be able to indicate for which workshops they would like to be considered, and submit the respective audition requirements. There is one general application for our Screen Scoring Workshops. You can find out more about us on Social Media: Robot, Feud), Nate Barr ( The Americans, True Blood), Blake Neely ( Arrow, Riverdale), Pete Nashel ( Marco Polo, Incorporated), Tass Fillipos ( The Americans, The Departed), Tom Salta ( Halo, Killer Instinct), Jason Kanter (Avalanche Studios), Gina Zdanowicz (Serial Lab), Eric Hachikian ( Marco Polo, When We First Met), Jay Wadley ( The OA, Indignation), Keith D’Arcy (SONGS Music Publishing), Karen Macmillan (Imagem / Concord Music) and more.
Mark Snow ( The X-Files, Blue Bloods), Michael Levine ( Siren, Star Wars: Detours), Suzana Peric ( The Lord of the Rings, The Silence of the Lambs), Todd Kasow ( True Grit, Wonderstruck), Mac Quayle ( Mr. You can even attend all four, and spend an exciting month immersed in screen scoring. Depending on your interests and focus, you can choose to apply to any combination of our workshops. We o ff er four exciting back-to-back summer workshops in film, television, videogame, and advertising, all in the epicenter of the global music and film industries, New York City.Īs a participant in these workshops, you will be mentored and critiqued by industry professionals every step of the way. At the NYU Steinhardt Screen Scoring program, we are dedicated to creating a generation of composers that thrive in all aspects of the modern media scoring industry.
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